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Assistant makeup artist. Makeup artist: Mr. Epps Production Management. Production supervisor. Post-production supervisor.

Dialogue editor. Additional sound design. Machine room operator (uncredited). Digital audio technician (uncredited). Technical staff: Skywalker Sound (uncredited).

Foley artist. Fx assistant editor. Foley artist. Foley recordist.

Orchestra contractor. Associate music supervisor. Music supervisor. Musician: Percussion.

Cast [ ] • — Jeff 'J. Reid' Cole • — Dwayne Keith 'God' Gittens • — Myra • — Preston D'Ambrosio • — Breezy T. • — Daniel Connelly • — Wesley • — Rick Scott • — Det. Angela Wilson • — Pam • — Dr. Bratton • — Felipe Batista • - Frisco • — Mrs. Batista • — Murphy • — Melvin • - Ray-Ray • - Minister • - Esperanza Batista • - G.G. • — Lookout • — Miguel Batista • — Denise • — Ozzie • — Gash • — Martha (as Michi Mi) • — Loretta • — Che • — Drug Dealer on Street Corner • - Latique Reception [ ] The movie had mixed reviews.

Production sound mixer. Sound effects editor. Assistant editor. Re-recording mixer. Doom 2 wad. Supervising sound editor. Additional re-recording mixer: for Skywalker Sound. Supervising sound editor.

Sound editor. Re-recording mixer. Boom operator. Re-recording mixer. Layback mixer.

Additional re-recording mixer: for Deluxe Toronto. Re-recording mixer. Dialogue editor. Supervising assistant (as Karen A. Dialogue editor. Assistant sound effects editor. Boom operator.

When Cole is brought before God and accused of being a cop, God shows him just how deep in the game he already is. In this scene: Jeff Cole / J. Reid (Omar Epps), Dwayne Gittens / God (LL Cool J), Breezy T. (Hill Harper) About In Too Deep: Officer Jeff Cole is given a dangerous mission: infiltrate the syndicate of 'God', the charismatic and deadly crime lord who rules the city's streets. But as Cole sinks deeper and deeper into God's crew, he begins to get in over his head.

The two eventually begin dating and D'Ambrosio (who checks in on Cole from time to time) begins to take notice of his new life away from undercover work. Cole tries to convince D'Ambrosio to let him go back undercover in the Gittens case, to no avail. D'Ambrosio is too concerned for Cole becoming the J. Reid persona and losing his identity for good. D'Ambrosio is eventually overruled by District Attorney Daniel Connelly () and agent Rick Scott (), reasoning that Cole is the only undercover cop to infiltrate Gittens crew as deep as he has, and Cole is the person who can bring down Gittens' organization. Cole is then reassigned to the Gittens case. Myra, realizing that he has to go back undercover, begins to distance herself from Cole.

The urban thriller starred and, and the soundtrack boasts a similar roster of big names. Leading off, the title track and single feature and in a surprisingly lackluster performance. A much better production, and a better pairing of skilled rappers, comes with second track 'Tear It Off'. The pair trade off well and sound genuinely energetic. For better (and often for worse), the rest of the soundtrack has the same hit-and-miss atmosphere evinced by the first two tracks. For every great track and production ('How to Rob' by featuring, 'Where Ya Heart At' by ), there are a few deadweights that do little to raise the level of quality at all.

Reid gangster. D'Ambrosio wants to pull Cole out of undercover again, as he sees his officer becoming unhinged and becoming J. Connelly and Scott disagree, and they come up with a sting to bust Gittens meeting with his suppliers, to which D'Ambrosio eventually agrees after Cole convinces him the importance of this sting.

Production coordinator. Assistant production coordinator.

Production secretary Thanks. Additional thanks: story contributor.

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If one doesn't work, then the final tapestry won't have the texture the director had in his or her mind to start with. If a film doesn't have a feeling, a feeling that has a texture to it, then it's lacking. So that was something I was very keen to explore: how do I give this film a feeling of claustrophobia, a feeling of heat, a feeling of menace and vulnerability. Release [ ] Despite the film's low budget it managed to be widely seen around the world on video. References [ ].

Download buku metodologi penelitian kualitatif pdf. Dialogue editor. Boom operator. Supervising dialogue editor.

CREDIT: Patrick Lewis/Starpix/REX/Shutterstock Levantine Films will finance and produce “,” directed by “” creator, sources tell Variety. Iannucci also co-wrote the script with John Finnemore. Iannucci will produce alongside Levantine. Plot details are being kept under wraps. Tory Metzger, Levantine’s president of production, will oversee production of the project on behalf of the company. Iannucci broke onto the Hollywood scene with the Oscar-nominated satire “In the Loop,” but he is best known for creating the hit HBO comedy “,” which earned him several Emmy wins.